Italian Terms: allargando, allarg., arco, attacca, calando, comodo, con sordino, largamente, l’istesso tempo, pizzicato, ritenuto, riten., stringendo.German Terms: bewegt, langsam, mässig, mit Ausdruck, schnell, sehr.French Terms: cédez, léger, lentement, modéré, movement, vite.Medieval era, Renaissance era, and world music Review of contrasting periods in a major key.Root/quality chord symbols and inversions.Triads on major, natural minor and harmonic minor scales completing measures with rests in hybrid meters.Hybrid duple, triple, and quadruple meter.agitato, dolente, giocoso, grandioso, martellato, mesto, morendo, pesante, quindicesima alta, 15ma, risoluto, scherzando, semplice, sonore, sopra, sostenuto, sotto voce, tacet, tutti, vivo, volta, volti subito, v.s.Overture to a Midsummer Night’s Dream and Sonata form.Musical styles of the romantic and modern eras Key of a melody and composing contrasting periods Functional chord symbols and inversions.Inversions of augmented and diminished triads.Identifying seventh chords in open position.Functional chord symbols and root quality symbols.Chromatic scales starting on C, F sharp and G flat.Transposition down to another key or down an intervalĭouble dotted notes and rests and irregular groupingsĬhromatic, whole-tone, octatonic, pentatonic and blues scales ad libitum, ad lib., alla, all’, ben, bene, col, coll’, colla, colle, con, con brio, con espressione, con fuoco, con grazia, con moto, e, ed, fortepiano, grave, loco, ma, meno , meno mosso, non, più, più mosso, poco a poco, primo, prima, quasi, secondo, seconda, sempre, senza, sforzando, simile, subito, tre corde, troppo, una corda.
Wolfgang Amadeus Mozart and Eine kleine Nachtmusic.Identifying the key of a melody without a key signature.Identifying the key of a melody with a key signature.Dominant 7th chords in open or closed position.Supertonic, median, and sub-mediant triads.New triads and open and closed positions of chords Writing a chromatically altered interval when the bottom note is not the tonic of a major key.Identifying intervals when the bottom note is not the tonic of a major key.Writing a chromatically altered interval.Importance of letter name in augmented and diminished intervals.C flat/B major and A flat/G sharp minor.Major and minor scales with 5 sharps or flats
Scale degree names – tonic, subdominant, dominant, subtonic, leading tone.Finding the relative minor key of a major key.Major and minor scales with 4 sharps or flats
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